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・ Joseph Meyerhoff Symphony Hall
・ Joseph Meyers
・ Joseph Mezger
・ Joseph Mfonyam
・ Joseph Mghabghab
・ Joseph Michael Gilmore
・ Joseph Michael Gyulay
・ Joseph Michael John Moore
・ Joseph Michael Linsner
・ Joseph Michael Perera
・ Joseph Michael Schmondiuk
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・ Joseph Michaels
・ Joseph Michaud
・ Joseph Michaud (Ontario politician)
Joseph Michel
・ Joseph Michel Antoine Servan
・ Joseph Michelli
・ Joseph Micklethwaite, 1st Viscount Micklethwaite
・ Joseph Mielke House
・ Joseph Miitamariki
・ Joseph Millar
・ Joseph Millard
・ Joseph Miller
・ Joseph Miller (cricketer)
・ Joseph Miller (Ohio politician)
・ Joseph Miller House
・ Joseph Miller Huston
・ Joseph Millott Severn
・ Joseph Mills


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Joseph Michel : ウィキペディア英語版
Joseph Michel
Joseph Michel (1679-1736) was an 18th-century French baroque chorister, composer and music teacher of the Sainte Chapelle of Dijon, demolished in 1802. A contemporary of Jean-Philippe Rameau, his reputation extended far beyond the boundaries of the city of Versailles and Burgundy.
Born at Bay-sur-Aube, and educated at the Jesuit college of Godrans, Michel was a pupil of Pierre Menault and also for a few years, of Jean-Philippe Rameau,〔 organist at the Church of Notre-Dame of Dijon. Michel became priest in 1705 and,〔 by an agreement between him and the Chapter on 28 December 1709,〔 〕 choirmaster to the Sainte-Chapelle du Roi in Dijon, where he became a Canon in 1717.〔
==Compositional style==
Michel's grand motets like ''Dominus regnavit exultet terra,'' which came into the repertoire of the "Chapelle du Roi" in Versailles and remained there until 1792, are characteristic of the second half of the reign of Louis XIV. They cover a large instrumental ensemble consisting of flute, bassoon and a five-part string orchestra (''violon,'' ''haute-contre,'' ''taille,'' ''quinte'' and ''basses de violon''). The upper voices consisted of two ''dessus,'' ''hautes-contres,'' ''tailles,'' and ''basse-taille'' for the soloists, and ''dessus,'' ''hautes-contre,'' ''tailles,'' ''basses-tailles'' and ''basses'' for the choir.
His ''Leçons de ténèbres'' (Lessons of Darkness) were the last examples to be printed during the first half of the 18th century, although the bulk of his compositions were destroyed in a fire at his printer in 1735, the year before his death.〔 ''Positions des thèses soutenues par les élèves de la promotion '' Ecole nationale des chartes (France) - 1998 "Dans ces établissements, quelques compositeurs écrivent des pièces musicales pour les Ténèbres. Le recueil de Joseph Michel, sans destination explicite, est le dernier à être imprimé dans la première moitié du XVIII' siècle."〕 In his later works, one can clearly see the emerging galant style in his music. From a letter in the archives of Versailles, it is clear that Michel intended to become ''kapellmeister'' for the royal court, but his premature death prevented this.

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